|
|
Lenny HallFanscriptBy Fernie Martinez
ACT ONE:
INT. MAYOR QUIMBY'S OFFICE - DAY
MAYOR QUIMBY and several SUITED MEN sit around a large
table. They have folders in front of them filled with facts and
figures. Two MEN wearing ear pieces stand on-guard on either
side of the mayor.
SUITED MAN
According to my figures, sir, we have
not fully exhausted our annual funds.
If we do not spend these remaining
fourteen million by the end of the
month, we will receive less money
next year from the state.
MAYOR QUIMBY
Can't you just write me a check?
The men around the table CHUCKLE. Quimby's face remains
serious.
One of ear-pieced men WHISPERS something into Quimby's ear.
MAYOR QUIMBY
It has been brought to my attention
that your laughter was a way of
ridiculing my suggestion. If that
is the case, I propose we let the
townspeople decide.
INT. TOWN HALL - EVENING
Mayor Quimby stands behind the podium.
The TOWNSPEOPLE sit attentively.
MAYOR QUIMBY
Does anybody have any suggestions?
The suggestions are INTERCUT with the images they pertain to:
DR. HIBBERT rises from his chair and offers a suggestion.
DR. HIBBERT
Why don't we use the money to restore
the statue of Jebadiah Springfield...
EXT. JEBADIAH'S STATUE'S SIGHT - DAY
The statue is covered in rust, lime deposit, and white spots.
DR. HIBBERT (VO)
(cont'd)
...or at least relocate the pigeon sanctuary.
A wide shot reveals a sanctuary equipped with a large tree whose
branches extend over the statue. Several pigeons are perched
on the branches.
A large white dropping SPLATTERS on the statue's head.
INT. TOWN HALL - EVENING
PRINCIPAL SKINNER rises from his chair and takes the floor.
PRINCIPAL SKINNER
How about we buy new computers for
the school?
INT. SPRINGFIELD ELEMENTARY SCHOOL CLASSROOM - DAY
MARTIN hunches over a small screen connected to a mammoth
sized machine.
He pushes the cursor buttons controlling the paddle in his game
of Pong. The ball slowly bounces off the paddle towards the
top of the screen. The screen then goes blank. Martin gets up
from his chair and walks around to the back of the machine.
MARTIN
Mrs. Kraboppel, the vacuum tube is
out again.
INT. TOWN HALL - EVENING
The townspeople are not impressed with this idea. HOMER
SIMPSON bolts out of his chair to share his thoughts.
HOMER
I know! We can build a monorail.
The people BOO and HISS.
HOMER
(beat)
or a recreation center.
The people's attitudes quickly change. A big smile comes across
Mayor Quimby's face.
EXT. SPRINGFIELD RECREATION CENTER - MONTHS LATER
A bus arrives. It is full of senior citizens from the Springfield
Retirement Home. Slowly, they exit the bus and join up with
the rest of the townspeople gathered outside the newly
constructed building. A large banner reading "Grand Opening"
hangs above the main entrance. Mayor Quimby stands by the
door holding a large pair of scissors.
MAYOR QUIMBY
Ladies and gentlemen, welcome to the
new state of the art Springfield Recreation
Center.
The people CHEER.
MAYOR QUIMBY
(cont'd)
Inside you will find racquetball courts,
tennis courts, indoor basketball and track,
exercise rooms, a caf�, and an Olympic
size swimming pool equipped with a
urine discoloration device.
The townspeople continue to CHEER as Mayor Quimby cuts
the ribbon.
The SIMPSON FAMILY, along with the rest of the crowd,
enters the center.
INT. REC. CENTER - DAY
The townspeople are in awe by the building.
The Simpson family walks by an exercise room. Inside are
several stationary bicycles and treadmills. They all face a wall
with several televisions all showing different programs.
Homer's jaw drops.
HOMER
Look, Marge. They've got twelve
televisions!
Homer mounts one of the bicycles. He puts on the built in
headphones. He pushes a button and draws his attention to
one of the television screens. He pushes another button and
moves on to the next screen. He continues to rapidly turn
back and forth between the different screens.
MARGE
Don't you want check out the rest
of this place?
HOMER
Can't talk. Exercising.
INT. REC. CENTER - RACQUETBALL COURTS - DAY
CARL stands alone enclosed within the glass walls of a racquetball
court. He checks his watch.
CARL
I wonder what's taking Lenny
so long.
INT. REC. CENTER - TENNIS COURTS - DAY
LENNY enters the vacant tennis courts wearing an outfit that would
easily qualify him for Wimbledon. He is wearing white shorts,
a white shirt, and a white headband and wristbands.
Lenny looks around and sees no one.
LENNY
I guess Carl is running late.
Lenny looks over to the other side of the court. He sees an automatic
ball machine. He walks over to it and turns it on. He runs across
to the other side of the net and positions himself.
A ball shoots out. Lenny stands motionless as the ball WHIZZES
by him. The next ball shoots out. He takes a huge swing, completely
missing the ball. Another ball shoots out and he knocks it straight
up into the air.
LENNY
Aww, nuts!
Lenny continues to disperse the balls in every direction except for
the court in front of him.
WOMAN (OS)
Try loosening your stance a little.
LENNY turns to see who's talking to him. A ball hits him in the head,
knocking him on the floor.
The WOMAN rushes over to help him up.
WOMAN
Oh, my gosh. Are you alright?
LENNY
Yeah, I think so.
WOMAN
I'm sorry. I was just trying to
help you out there.
(jokingly)
You've got terrible form.
LENNY
Thanks. This is my first time.
WOMAN
Well then, you're in luck. I'm
a tennis instructor. My name is
Diane.
LENNY
I'm Lenny.
DIANE
Let me give you some pointers.
Diane walks up behind Lenny. She puts her arm around his waist
and guides his swing. She puts her hand directly over his to show
him how to grip the racquet. She offers a few other pointers.
DIANE
There. I think you're ready for a
` little one-on-one now.
INT. REC. CENTER - DAY
GRAMPA SIMPSON and the other seniors from the retirement home
tour the facilities. They enter the "As Seen on TV" room.
INT. REC. CENTER - "AS SEEN ON TV" ROOM - DAY
Inside are all sorts of space-aged exercise equipment. The room is
filled with Cardiogliders, Soloflex, Abrollers, and Thighmasters.
JASPER makes his way to a lateral pulldown machine. He sits down
and adjusts the weight setting. He grips the bar and pulls it towards
his chest. As he retracts his arms back up, the pull of the weights
causes him to begin rising. The weights pull him all the way up.
He now hangs high in the air gripping the bar.
JASPER
Ahh, little help.
Grampa climbs onto a NordicTrac. He fastens his feet to the ski-like
platform. He grabs on to the two ropes. His limbs begin to move
independently with no sort of coordination.
After a few seconds, Grampa is out of breath. He climbs off of the
machine but his left foot is lodged in the fastener. As he turns to get
off, his left hip pops out of its socket.
Grampa falls on the floor.
Two EMPLOYEES run to his side and help him to his feet.
GRAMPA
That's okay. That one is always
popping out.
Grampa opens his stance and uses his arm to pop the hip back in its place.
An ELDERLY WOMAN sits on the opposite side of the room with
a Thighmaster between her legs. She strains to bring her legs together.
Her legs begin to shake. Suddenly, the Thighmaster shoots out from
between her legs.
The Thighmaster flies across the room. It CRASHES against Grampa's
right hip.
Grampa falls to the ground once again.
INT. REC. CENTER - MEDICAL ROOM - DAY
Homer, Marge, Bart, and Lisa surround Grampa who's lying on a
hospital bed. A sign in the background reads "Cash Only."
Bart picks up Grampa's chart from the foot of the bed.
He scribbles some stuff on it.
BART
Hey, Lis, I signed Grampa up for an
enema.
LISA
Barium?
BART
Shouldn't we wait till he's dead?
Lisa SLAPS her forehead.
DR. NICK RIVIERA enters the room.
DR. RIVIERA
Hi, everybody.
SIMPSONS
Hi, Dr. Nick.
DR. RIVIERA
Well, Mr. Simpson, our test results
showed two things. One, you have
dislocated your hip. You will need
to get a cast and stay off your feet
for at least two weeks. And two,
you're senile.
HOMER
And how!
GRAMPA
Well, at least my hip's alright.
Dr. Riviera pulls Homer and Marge off to the side.
DR. RIVIERA
I recommend that he stay with you
until he can get on his feet again.
He's gonna require a lot of attention
these next couple of weeks.
HOMER
Marge won't mind looking after him.
Will you Marge?
Marge gets a worried look on her face. She looks around the room
hesitating to answer.
MARGE
Well, you know, I already have
enough things...
HOMER
Okay. Done and done.
INT. REC. CENTER - TENNIS COURTS - DAY
Lenny and Diane stand over a bench by the sidelines. They are
drying the sweat from their faces with pair of towels.
DIANE
I must admit, you showed dramatic
improvement. Except the way you
stumbled every time I said the word
love.
Lenny turns red.
LENNY
I didn't know that's how you kept
score. I thought you were coming
on to me.
DIANE
You're so cute. C'mon let's go
get a drink.
INT. REC. CENTER - RACQUETBALL COURTS - DAY
Carl continues to wait. Two MEN KNOCK on the door and enter
the court.
MAN
Sorry, buddy. Your time is up.
Carl walks away with his head down.
INT. REC. CENTER - CAF� - DAY
Diane and Lenny sit at the caf�. An empty plate and a large health
shake sit in front of Lenny. In front of Diane is a half-eaten bagel.
Diane takes anther bite of her bagel.
DIANE
The food here is terrible.
LENNY
Yeah, and such small portions.
DIANE
I was wondering, how would you like
to have dinner with me tonight.
LENNY
Ahh, dinner
DIANE
Yeah, you can come over to my place
and I'll cook us up a delicious lobster
dinner. You didn't have other plans,
did you?
LENNY
Well I...
Lenny remembers an earlier conversation he had with Carl:
INT. SPRINGFIELD NUCLEAR POWER PLANT - DAY
CARL
I got us front row seats for the
monster truck rally.
An image of a large monster truck appears. It leaps off a ramp
and lands on some cars. The oversized tires DISSOLVE into
Diane's big blue eyes.
INT. REC CENTER - CAF� - DAY
LENNY
(cont'd)
Ahh, yeah that sounds good.
DIANE
Great, how about 8 o'clock. My place.
END OF ACT ONE
ACT TWO:
INT. CARL'S APARTMENT - EVENING
Carl is on the telephone. In one hand he holds a pair of tickets.
The phone RINGS. An ANSWERING MACHINE picks up.
ANSWERING MACHINE
(Lenny doing a Rod Sterling imitation)
You're dazed, bewildered, trapped in
a world without time, where sound
collides with color and shadows
explode. You see a sign post ahead.
This is no ordinary telephone answering
devise...You've reached the Twilight
Phone.
(Lenny hums along to the Twilight
Zone theme)
BEEP.
Carl hangs up the phone.
EXT. DIANE'S HOUSE - EVENING
Lenny stands in the doorway wearing a plaid polyester suit.
He holds a bouquet of flowers behind his back.
Diane opens the door wearing an apron with food stains all over.
DIANE
Hi, come on in.
INT. DIANE'S HOUSE - EVENING
LENNY
Here these are for you.
He hands her the flowers.
DIANE
That's so sweet.
She gives him a kiss on the cheek.
DIANE
I'm having some trouble with our
dinner.
INT. DIANE'S HOUSE - KITCHEN
A large pot with boiling water rests on top of the stove.
A couple of live lobsters are crawling around on the floor.
Lenny and Diane walk into the kitchen.
DIANE
Oh gosh, they got out.
She quickly puts the flowers into a vase and chases the lobsters.
Lenny begins to help out. He traps one in the corner. He bends
over to pick it up and it clamps on to his nose.
LENNY
Get it off! Get it off!
As he speaks with the lobster pinching his nose, his nasally
congested voice becomes rough and manly.
Diane pulls the lobster off his nose and tosses it into the pot.
INT. MOE'S TAVERN - NIGHT
Homer and the other bar flies sit around the bar.
Carl walks in and sits on the stool next to Homer.
CARL
Hey, Homer.
Moe walks over and hands Carl a beer.
HOMER
Hi Carl. How was the truck show?
CARL
It was okay. Hey, have you seen
Lenny around?
Homer sits rubbing his neck.
HOMER
I saw him earlier at the recreation
center. Did you know that place has
twelve TV's?
CARL
You saw him at the rec center?
HOMER
Yeah, I saw him leaving with a
beautiful girl.
(teasingly)
Looks like you've got some
competition.
INT. DIANE'S HOUSE - LIVING ROOM - NIGHT
Lenny and Diane sit on a couch drinking some wine. The walls are
decorated with pictures of Diane with famous tennis players.
Lenny's and Diane's thoughts appear in the form of
SUBTITLES as they converse:
LENNY
Dinner was great.
Subtitle: Damn my nose hurts.
DIANE
Thanks.
Subtitle: I wonder if he knows his fly is open.
LENNY
So you've met all these people.
Subtitle: Should I tell her about my encounter with Tina Youthers?
DIANE
Yeah, I used to train most of them.
Subtitle: He's gonna think I'm too good for him.
LENNY
Me and Carl met Tina Youthers once.
Subtitle: I wonder what she looks like naked.
DIANE
I used to love Family Ties.
Subtitle: Why does he keep bringing up this Carl character?
I hope he's not gay.
Lenny and Diane stare into each other's eyes. After an eternal
silence, the two get closer together. Their lips meet and they
share a passionate kiss.
Suddenly, Lenny's eyes open widely.
Subtitle: Whoa! My fly's undone.
INT. SIMPSON HOUSE - DAWN
Grampa lays on the couch wearing some of Homer's pajamas.
He begins RINGING a bell.
INT. SIMPSON HOUSE - HOMER AND MARGE'S BEDROOM - DAWN
The ringing wakes MARGE up.
MARGE
(ANNOYED MURMUR)
HOMER remains sound asleep. Drool stains decorate his pillow.
HOMER
(in his sleep)
...because their horns don't work.
Hee, hee, hee.
INT. SIMPSON HOUSE - LIVING ROOM - DAWN
Grampa continues to RING the bell.
GRAMPA
Hello?
INT. SIMPSON HOUSE - HOMER AND MARGE'S BEDROOM - DAWN
Marge covers her head with a pillow. The bell continues to RING.
Marge reluctantly gets out of bed. She puts on some slippers and
walks downstairs.
INT. SIMPSON HOUSE - LIVING ROOM - DAWN
MARGE
Grampa, it's five-thirty in the
morning. What do you want?
GRAMPA
I'm hungry.
MARGE
(ANNOYED MURMUR)
GRAMPA
I want an ice-cream sundae.
MARGE
It's too early for a sundae.
GRAMPA
Make sure to use plenty of whipped
cream.
MARGE makes her way to the kitchen.
GRAMPA
(loudly)
Don't forget the hot fudge and nuts.
INT. SIMPSON HOUSE - HOMER'S BEDROOM - DAWN
HOMER
(asleep)
MMM...fudge nuts.
INT. SIMPSON HOUSE - LIVING ROOM - MORNING
Marge returns from a kitchen carrying a tray. She sets the
tray in front of Grampa.
Grampa examines the tray. It contains eggs, a bowl of cereal,
and a glass of orange juice.
GRAMPA
Hey!
(pause)
Where's my toast?
INT. SPRINGFIELD NUCLEAR POWER PLANT - DAY
Homer and a group of CO-WORKERS gather around Lenny
who's sharing the gossip about his conquest the night before.
Carl walks by the crowd but doesn't stop. Lenny notices him
walking by and catches up to him.
LENNY
Hey Carl, I met this beautiful woman
yesterday. She invited me to her...
CARL
Oh, yeah. Did you take a ride in
her truck?
LENNY
No, she drives a Volkswagen. Anyway,
we went back to her place and...
CARL
Really? Did you show her your
monster?
Lenny has a confused look on his face.
LENNY
What are you talking about?
CARL
Did she rally your, ahh...
Carl is at a loss of words.
CARL
(cont'd)
We were supposed to go the monster
truck rally last night. I waited
all night.
LENNY
I'm sorry, Carl, but this girl is
wonderful. I thought you of all
people would be happy for me.
CARL
(beat)
You're right. Congratulations.
So, are you going to see her again?
LENNY
Yeah, we're going out again tonight.
CARL
Tonight? Tonight's our bowling night.
LENNY
I don't think I'm gonna make it tonight,
but I'll meet up with you tomorrow.
HOMER (OS)
C'mon Lenny, finish the story.
Lenny looks back at the group of workers. They are all waiting
for him to get back and finish his gossip.
Lenny walks back towards the group. Carl walks in the opposite
direction.
INT. SIMPSON HOUSE - LIVING ROOM - DAY
Grampa sits on the couch. His casted leg is elevated on a footrest.
Grampa picks up his bell and begins RINGING it.
Marge vacuums the hallway. She hears the bell in the background
and turns the vacuum to a higher setting.
Grampa rings the bell louder.
Marge cringes her teeth and walks into the living room.
MARGE
What is it now, Grampa?
GRAMPA
It's time for my bath.
Grampa gets a big grin on his face. Marge gives a look of disgust.
EXT. DIANE'S HOUSE - AFTERNOON
Lenny's car pulls up into the driveway.
MONTAGE:
A.) EXT. BEACH - SUNSET
Lenny and Diane walk along the grassy beachfront.
B.) INT. MOE'S TAVERN - NIGHT
Carl plays a game of air hockey alone. He shoots the puck in a
straight line into the opposite goal. He walks to the other side,
picks up the puck from goal, and repeats the process.
C.) INT. BOOKSTORE - DAY
Lenny and Diane browse around and purchase some books.
D.) INT. SPRINGFIELD NUCLEAR POWER PLANT - DAY
Carl eats his lunch. The cafeteria is full, except for an empty
seat next to Carl.
E.) EXT. MOVIE THEATRE - NIGHT
Lenny and Diane walk out of the movie theatre holding hands.
The marquee outside reads "The Sorrow and The Pity."
F.) EXT. SPRINGFIELD NUCLEAR P.P. - DAY
Several workers play around in a jungle gym. Carl sits on
a seesaw. Carl is on the ground as there is no one on the other
side. The work whistle BLOWS. The men stop their shenanigans
and reluctantly walk back inside.
INT. SIMPSON HOUSE - DAY
Bart fastens a football helmet to his head. He sits on Grampa's
wheelchair. The wheelchair rests on the edge of the staircase.
Bart rolls back to get some momentum.
BART
Excuse me while I kiss the sky.
He pushes the wheels with all his strength. Bart rolls down the hall.
The wheelchair leaps off onto the stairs.
Bart rides down the stairs at a tremendous speed. He hits the last
step and the wheelchair flips over. Bart flies through the air.
He lands on a set of strategically placed couch cushions.
Marge rushes into the room.
Bart tries to pick up the wheelchair before Marge notices.
MARGE
Bart! That wheelchair is not a toy.
This is not what I meant when I told
you to keep your grandfather company.
Marge drags Bart into the living room.
INT. SIMPSON HOUSE - LIVING ROOM - DAY
Marge sits Bart on the couch next to Grampa.
MARGE
Now you sit in case Grampa needs
anything.
Bart sits with his arms crossed, cursing under his breath.
GRAMPA
I've got an idea.
INT. MOE'S TAVERN - DAY
MOE dispenses drinks to the regular bar flies. The telephone RINGS.
Moe walks over to answer it.
CROSSCUT between Simpson house and Moe's Tavern during
the phone conversation.
MOE
Moe's Tavern.
BART
(disguising his voice)
May I speak with Craven Moorehead?
MOE
Hold on.
Moe holds the phone down as he relays the message to the barflies.
MOE
Craven Moorehead. Hey, is anyone
here Craven Moorehead?
The barflies all LAUGH.
BARNEY
We sure are.
Moe realizes he's been had again.
MOE
Listen, when I get a hold of you,
I'm gonna take this hickory stick
and shove it...
Bart and Grampa have the phone receiver between the two of them.
They are both LAUGHING hysterically.
Marge is standing in complete disbelief.
MARGE
GRAMPA!
Bart looks up at Marge who is standing directly over them.
She has an evil look on her face. His laughter quickly ceases
as he hangs up the telephone.
MARGE
Bart, go to your room.
Bart runs out of the room.
MARGE
If you're going to be a guest in my
home, I would appreciate it if you
didn't teach my children profanity.
GRAMPA
I was just having some fun with
the boy. I feel so useless around
here. At least in the retirement
home, everyone feels useless. It's
what keeps us together.
Marge exits the room angrily.
INT. RESTAURANT - NIGHT
Lenny and Diane are in the middle of dinner. Lenny's appearance
is much sharper. His hair is perfectly combed. He wears a black
designer suit.
Lenny takes a bite from his fork. He picks up the napkin from
his lap and wipes his mouth. He has a huge smile on his face.
LENNY
This has been the best week and
a half of my life.
Diane has a serious look on her face. The servings on her plate
remain untouched. She uses her fork to play around with the food.
DIANE
Listen, Lenny. I got offered a new
job. I'm gonna be Andre Agassi's
new personal trainer.
LENNY
Wow, that's great.
DIANE
Not entirely. The job is in
California. I leave in two days.
END OF ACT TWO
ACT THREE:
INT. DIANE'S HOUSE - DAY
Most of Diane's belongings are packed away in boxes.
INT. DIANE'S HOUSE - BEDROOM - DAY
Lenny sits on Diane's bed. Diane folds some of her clothes and
places them into some luggage. Led Zeppelin's "Going to California"
plays on the radio. Diane walks over and turns the radio off.
DIANE
I guess it's true what they say.
All good things must come to an end.
LENNY
Why?
DIANE
Why? Because everything has a
beginning, middle, and end.
LENNY
What about circles?
DIANE
Oh, they suck.
Diane smiles faintly, but Lenny remains somber.
LENNY
Why do you have to take this job?
With your qualifications, you could
easily find a job here.
DIANE
Right, because Springfield is such a
tennis Mecca. This job is very
important to me, I had to take it.
Let's not ruin our last day together
by arguing. Okay?
LENNY
Okay.
INT. SPRINGFIELD HOUSE - LIVING ROOM - DAY
Grampa RINGS his bell.
Marge's patience is wearing thin. She walks into the living room.
MARGE
What is it this time Grampa?
GRAMPA
I need a bath.
MARGE
You already had your bath.
GRAMPA
Yeah, but I accidentally used one of
Maggie's diapers. There just wasn't
enough surface area.
Marge shivers at the thought.
Bart and Lisa run in.
BART
Mom, we need you to take us down
to the recreation center.
LISA
Yeah, we're gonna go swimming.
MARGE
I can't today kids. I've got to
take care of Grampa and I still have
to cook dinner. And I don't want
you guys to swim unsupervised.
BART & LISA
But, mom.
LISA
Why doesn't Grampa go with us? He
hasn't been out of the house in a
while.
MARGE
Twelve days to be exact.
EXT. REC. CENTER - POOL - DAY
Grampa lays out in the sun on a pool chair. Bart, Lisa, and
their schoolmates play around in the water.
BARNEY is also at the pool. He looks out of place amongst
all the kids. He wears red Speedo's and floaties. He climbs a
tall ladder leading to a diving platform twenty feet in the air.
As he approaches the front of the platform, his massive body
eclipses the sun.
The kids stop their activities and look up towards the sky.
KIDS
Jump! Jump! Jump! Jump!
Barney jumps off the platform and tucks his legs into his chest.
BARNEY
CANNONBAAALLL (burp)
Barney hits the water causing a huge tidal wave. The kids are
carried by a wave, which slams them all against the pool wall.
The kids begin to MOAN as they rub their bruises. A sea of red
begins to form around RALPH WIGGUM. The other kids see
this and quickly make their way out of the pool.
KIDS
Ewww. That's gross.
A ring of red water surrounds RALPH, who now floats alone in
his duck shaped inner tube.
RALPH
I think I broke it.
INT. MARGE'S CAR - LATER IN THE DAY
Marge, Bart, Lisa, and Grampa sit silently as the car maneuvers
its way through traffic. Marge is very upset.
MARGE
(to Grampa)
I can't believe you. I've been
serving your every need for the
past twelve days. I ask you to
do one thing and you can't even
do that. Look at all the bruises
they have on their bodies.
GRAMPA
That wasn't my fault. It was that
drunk, cannonball, tsunami...
MARGE
No excuses Grampa. I think it's
time to go back to the retirement
home.
EXT. SPRINGFIELD SCENIC DRIVE - SUNSET
Diane's Volkswagen Bettle is parked on a mountain. The view
overlooks the entire city.
Lenny and Diane silently watch the sun go down.
DIANE
Why don't you show me where you
grew up?
LENNY
Okay.
Lenny turns the key, but the car hesitates to start. He flips the
key back, then attempts once more. The car doesn't start.
Lenny gets out of the car and walks to the front. He raises the
trunk door in the front of the car.
LENNY
Well, here's the problem. You're
missing that engine thingy.
Diane GIGGLES. She steps out of the car.
DIANE
It's such a beautiful night. Why
don't we just walk?
EXT. SPRINGFIELD AMUSEMENT PARK - NIGHT
Lenny and Diane approach the parking lot to a run-down
amusement park.
An old beat-up house in need of some paint, rests underneath
a worn-out rollercoaster.
LENNY
This is where I grew up. I never
got much sleep, but I was real
popular, cuz all the kids always
wanted to come over to my house
after school. See, me and Carl dug
a hole in the back yard so we
could sneak into the amusement
park. I wonder if it's still there.
Lenny and Diane walk towards the house. They make their
way into the back yard. Lenny notices that the hole is in fact,
still there. He crawls under. Diane follows. Lenny helps
Diane to her feet on the other side.
Lenny and Diane walk hand in hand across the amusement park.
They walk by a Tilt-a-Whirl.
LENNY
I remember the first time me and
Carl ever drank beer, we snuck inside
the park and rode the Tilt-a-Whirl.
We were spinning so fast that when
we threw up, the vomit just kinda
hovered for a while, then smacked
us on our faces.
Lenny looks over at Diane who now has a look of horror on
her face.
The two continue to walk. The walk through the gates of the
Ferris-wheel. They sit on the seat closest to the ground and
quietly stare at the sky.
Diane falls asleep in Lenny's arms.
The sun comes up from behind them.
INT. SPRINGFIELD AIRPORT - MORNING
Lenny and Diane stand in front of the boarding gate.
DIANE
I'm really going to miss you.
Thanks for making these past
two weeks so wonderful.
She gives him a long embrace and a kiss.
DIANE
I'll call you as soon as I get
settled.
Diane makes her way down the corridor onto the plane.
DIANE
Goodbye, Lenny.
LENNY
Goodbye, Diane.
Lenny stands and watches her board the plane. He moves
toward the window. He watches the plane take off. He
continues to stand there long after the departure.
INT. SPRINGFIELD RETIREMENT HOME - DAY
A group of four SENIOR CITIZENS sit around a table.
One reads aloud from a book entitled, "MENSA for Dummies."
ELDERLY WOMAN
A freight train leaves Omaha at
4:00 PM traveling at 30 miles per
hour. A passenger train leaves 1
hour later, traveling at 50 miles
per hour. At what time will the
passenger train overtake the freight
train?
SENIOR #1
Thirty-seven.
SENIOR #2
Nebraska.
GRAMPA (OS)
Six-thirty.
Grampa stands in the doorway on crutches carrying a duffel bag.
The ELDERLY WOMAN flips the pages to the back of the book.
Her eyes widen.
ELDERLY WOMAN
How did you know that?
GRAMPA
I subtracted thirty-seven from Nebraska.
The elderly group is very happy to see Grampa. The people go
up to Grampa to welcome him back. A large smile grows over
Grampa's face.
INT. LENNY'S APARTMENT - NIGHT
Lenny is watching Conan O'Brien on TV. Conan is in the
middle of his Date Morphing segment.
CONAN
(on TV)
Another famous couple who's dating
is Andre Agassi and Brook Shields.
Now let's see what their child would
look like if they were to have kids.
A split screen shows a picture of Andre on one half and Brook
on the other. The two images are combined together to form a
new image, a picture of Chewbacca.
Lenny turns off his television. He gets up and leaves his apartment.
INT. MOE'S TAVERN - NIGHT
Lenny sits on a stool, drinking his sorrow away.
Carl enters the bar. He sees Lenny and sits on the opposite side
of the bar.
Carl sees that Lenny looks devastated.
CARL
(to Moe)
Hey Moe, what's up with Lenny?
MOE
His girl moved to California.
Moe approaches Lenny from behind the bar. He hands Lenny
a beer.
MOE
This one's from the gentleman at the
end of the bar.
Lenny looks up and sees his buddy at the end of the bar.
Carl walks over and sits next to Lenny.
Lenny's depressed state is already beginning to change.
CARL
You alright there, buddy?
LENNY
Yeah, I'm okay.
A long silence.
CARL
So tell me about this girl.
Lenny's depression becomes non-existent.
LENNY
I met her at the rec center.
CARL
Yeah?
LENNY
Yeah. She invited me over and
we cooked some lobsters. One of
them grabbed on to my nose...
THE END
|
|
Last updated on February 28, 1999 by Jouni Paakkinen (jouni@simpsonsarchive.com) |